April Fool's Day is usually full of exhausting fake announcements and uninspired deception. I prefer a quieter approach.
I often think about the difference between a trick and a trap. A trick asks an audience to willingly play along. A trap just waits for human nature to do the work.
Check out this vintage example:
It works simply because we can't resist the urge to fix a stray piece of lint on a friend's coat. The real illusion is the mark's belief that they are helping. Set the trap today if you're so inclined.
Here's where I am consulting and performing this month:
Ajax (Boise Contemporary Theater, April 22 - May 9)
I've been consulting on the world premiere of Habib Yazdi's new play, which centers around the 1953 American coup in Iran. I’m designing a few practical effects to help bridge the gap between the play's comedic opening and its darker conclusion. The run opens on April 22nd.
Elevator Repair Service: Spring Gala (New York City, April 27)
On Monday, April 27th, I'm presenting a new illusion designed specifically for - and inspired by - Elevator Repair Service. If you are in New York, I'd love to see you there to help support the evening. Reserve your seat.
Around the World in 80 Toys (Lleida, Spain, April 30 - May 3)
I recently collaborated with Thaddeus Phillips to design magic for his new piece, which makes its European premiere at the Lleida Puppet Fair in Catalonia. Inspired by the true story of Georges Méliès, the work blends micro-cinema, object puppetry, and classic stagecraft. Watch the festival trailer.
From the Log: 69 Atlantic (Brooklyn, NY)
Geoff Sobelle and I recently wrapped up a run of Something Amazing at 69 Atlantic in Brooklyn. The show relied entirely on classic sleight of hand, mentalism and the people in the room with us. View the archive photos.
April 1, 2026